Missy Jenkins Musical Mysteries - Mystery, Music and Murder!
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How does a mystery writer go about planting clues and red herrings, fill the book with the usual suspects and the right amount of foreshadowing, enough conflict and suspense to keep the reader guessing whodunit, with a twist at the end? Follow along on the series of blogs, coming up in the next several weeks, to see what worked for me.

This week's blog is titled "Outline or Not, but Have a Plan."
     Whether you're a plotter or a "pantser," when writing a mystery you can't leave everything to chance. Let me be honest. I don't always know the end of the story when I start writing. I don't always write in any particular order. In fact, I write sketchy outlines after my first draft and even then, I'm bound to change them later. Still, I know I need at least somewhat of a plan.
     For my first novel, Terror in Double Time, the historical subplot was the 1979 Three Mile Island nuclear power plant accident, so my mystery had to fall within a certain timeline. That gave me an outline I could follow. Certain events in the mystery had to happen on certain days of the disaster.
     In the second book in the series, Death in 3/4 Time, I based the plot on an unsolved true crime, and took the ending in my own what if? direction. So I knew the ending (whodunit), even though I didn't know all the details of how I'd get to the end. So, no outline, no real plot, but a beginning and an end, so I did have a plan.
     When I started writing Killing in Quarter Time, book three, all I had was an idea. I didn't plot; I just started writing and hoped the characters would show me the way. After all, I had lived with the main characters through two other books, I knew them as well as I knew myself! The characters showed me the way, all right--they took me in a totally different direction than where I was going in the first half. I had to go back and re-write. finding and changing all the clues I had already planted.
     That novel made me re-think my way of writing. I still like the quote from E.L. Doctorow: "Writing is like driving at night in the fog. You can only see so far as your headlights, but you can make the whole trip that way." That works for my short stories, but maybe it's not such a good idea for a traditional whodunit.
     Look for my next installment: "The Usual Suspects--What's Their Motive?"


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british essay writer on Friday, June 14, 2019 2:19 AM
You gave good writing tips and advice for struggling mystery writers out there. Writing a story about "who dunnit" is not easy because the writer has to keep the readers guessing until the end. It's bad if people guess who did it not even midway through the novel. My all-time crime mystery novel is "Murder on the Orient Express." There were so many suspects and all of them have a compelling reason or motive to commit the murder. In the end it turned out all those passengers with a connection to the victim had a hand in the murder. What do you think of Detective Hercule Poirot's decision to leave that train without revealing to the police who the real perpetrator is?
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Suzanne Flaig on Sunday, June 16, 2019 2:53 PM
Thanks for your comment, british essay writer. I am also a big fan of Agatha Christie, and especially her Hercule Poirot character. I think the ending of "Murder on the Orient Express" works because Hercule (and Dame Agatha) felt that justice was served. He set forth two possible explanations and chose one that brought a satisfactory resolution to her novel.

top essay writing sites on Thursday, August 1, 2019 9:31 AM
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